The Revolt 動乱 (Doran) is a Japanese movie from 1980 that seems like it was specifically made for me. It’s a sweeping historical drama set in 1930s Japan that specifically deals with the internal politics of the Imperial Army and the two famous coup d’é tats of 1932 and 1936.
By April 1945, the war in Europe was winding down but hostilities in Asia showed no signs of ending in the near future. Perhaps as an unconscious way to remind Americans that the fight against Japan wasn’t over yet, Blood on the Sun was released. It’s a surprisingly well-made thriller, with hints of noir, starring an impressive cast such as Sylvia Sidney, John Emery as the arch villain Baron Tanaka, and most of all, James Cagney.
Before World War II, there was precious little cinematic depictions of Japan from Hollywood, especially when compared to China. However, after Pearl Harbor, a slew of propaganda films were made to depict the Japanese enemy. Even among these, they rarely showed the Japanese home front and even rarer, the internal politics of Japan in the 1930s. Behind the Rising Sun is a surprising exception.
Tokyo Joe combines three of my favorite things: film noir, a historical setting, and political intrigue. It’s a criminally underrated movie and while it’s not Humphrey Bogart’s best, it still deserves to be rediscovered by audiences.