Edogawa Ranpo has become synonymous with Japanese horror and mystery fiction. Using a pen name based off of Edgar Allen Poe, (try saying it three times fast), the author Taro Hirai wrote many short stories and novels as Edogawa Ranpo (sometimes Romanized as Rampo). Like his namesake, Ranpo wrote mostly horror and mystery stories, basically introducing the genres into Japanese literature. While Ranpo has a plethora of material to choose from, here are my recommendations on where to start with his writing and films based off his work.
Japan
Blood on the Sun (1945) Movie Review
By April 1945, the war in Europe was winding down but hostilities in Asia showed no signs of ending in the near 
future. Perhaps as an unconscious way to remind Americans that the fight against Japan wasn’t over yet, Blood on the Sun was released. It’s a surprisingly well-made thriller, with hints of noir, starring an impressive cast such as Sylvia Sidney, John Emery as the arch villain Baron Tanaka, and most of all, James Cagney.
Behind the Rising Sun (1943) Movie Review
Before World War II, there was precious little cinematic depictions of Japan from Hollywood, especially when compared to China. However, after Pearl Harbor, a slew of propaganda films were made to depict the Japanese enemy. Even among these, they rarely showed the Japanese home front and even rarer, the internal politics of Japan in the 1930s. Behind the Rising Sun is a surprising exception.
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Japantown Review & Interview With Barry Lancet
It was love at first site. The image of a running man, superimposed o
ver the Golden Gate Bridge, his head slightly turned to look behind him for danger. With a cover like that, I knew I was going to like Japantown by Barry Lancet. Anyone who knows me knows I love thrillers, and stories set in Japan and San Francisco. Imagine my joy when I learned this book is all three.
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Tokyo Joe (1949) Movie Review
Tokyo Joe combines three of my favorite things: film noir, a historical setting, and political intrigue. It’s a criminally underrated movie and while it’s not Humphrey Bogart’s best, it still deserves to be rediscovered by audiences.